> ...tend to find Velvia unrealistic and flashy.
Isn't film selection a big part in the visualization process?
When I'm producing B&W prints in the darkroom, I'm not trying to
achieve "accuracy" but tonal interpretation. I find that Velvia
is the color equivelent to B&W. It fits my personal
interpretation better than flat, lifeless films.
And if I want to stick a warming filter AND a polorizer on the
lens--that's my business.
AG-nothing is subtle in my world-Schnozz
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