Wonderful opportunities there for Adams Mill Bridge. For instance, what are
the light effects inside the structure from that window? Are there other
vents on the far side? I like what I see already. "Establishing" shot,
indeed. <g>
I'm from northern Wisconsin and the country throughout is crowded with
quaint views.I'd love roam through your part of the world. Might never get
the chance, though. Not getting any younger here, unfortunately.
Tris
At 09:54 AM 7/21/01 +0000, you wrote:
Conditions and usage may vary by user as may definition about whether it
is noticeable. A critical eye deliberately looking for any minute trace
of falloff can usually find it with nearly any lens in nearly any
photograph. :-)
Not noticeable (to me):
http://johnlind.tripod.com/oly/gallery/om52.html
http://johnlind.tripod.com/oly/gallery/om60.html
(an "establishing shot" which I should redo using the 24mm,
35mm shift or a different perspective)
http://johnlind.tripod.com/oly/gallery/om82.html
Very noticeable:
http://johnlind.tripod.com/oly/gallery/om57.html
(the very nature of the subject material enhances the falloff)
All are uncropped without any manipulation to correct for falloff
(attempts at it with some images have never been successful). I have
others that fall between these two groups; they just happen to be what has
been scanned.
-- John
At 05:39 7/21/01, C.H. Ling wrote:
Agree on all except the falloff, it is not noticeable only under certain
conditions.
C.H.Ling
----- Original Message -----
From: "John A. Lind" <jlind@xxxxxxxxxxx>
>
> The 18/3.5 is an exceptional lens, although it is a rectilinear (the
widest
> one of the Zuiko's), not a fisheye. I've found mine has zero detectable
> distortion, with decent resolution and good contrast. There is some
> falloff, but no more than should be expected from a lens this wide, and
> it's noticeable only under certain lighting/subject conditions.
>
> -- John
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