It sounds as though you have fallen for your 24/2.8 as it is a fine lens. But
I like my combo of 21/3.5, 28/2, and 50/3.5 as it seems to cover just about
any situtation I come across. The 21/3.5 has excellent edge sharpness close
up when stopped down a couple of stops, so you can get that effect I like so
much (close/far compositions like view camera ones). Chacon a son gout,
however.
Warren
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