I'll handle the b&w stuff myself, and my lab in Memphis should be up
to the challenge on transparencies.
Thanks to everyone for the suggestions. I got exactly the information
I needed.
On Mon, 23 Oct 2000 19:00:16 -0700 (PDT), John Robison wrote:
> One caution I forgot to mention in my other post is
>to make sure Your lab can do justice to 2 1/4
>processing, not all photofinishers can. John
>--- "Barry B. Bean" <bbbean@xxxxxxxxxxxxxx> wrote:
>> I've been toying with the idea of playing with
>> medium or large format
>> for some of my work, and was intrigued by the high
>> acclaim for the
>> Seagull in the "35 greatest cameras of all time"
>> article. I was also
>> intrigued by a sales price of $279!
>>
>> Anyone here used a Seagull? Would it be a way to dip
>> my big toe in
>> the MF pond, or is the glass to pedestrian to really
>> get the benefits
>> of the larger format? Is there another option I
>> should consider,
>> given that I'm clueless about MF gear?
>>
>> BB
>> -
>> B.B. Bean bbbean@xxxxxxxxxxxxxx
>> Bean & Bean Cotton Co/Bean Farms
>> http://www.beancotton.com
>> Peach Orchard, MO
>>
>>
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>> List >
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>> mailto:owner-olympus@xxxxxxxxxxxxxxx >
>> < Web Page:
>> http://Zuiko.sls.bc.ca/swright/olympuslist.html >
>>
>
>
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-
B.B. Bean bbbean@xxxxxxxxxxxxxx
Bean & Bean Cotton Co/Bean Farms http://www.beancotton.com
Peach Orchard, MO
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