While I haven't done it yet myself, others who have told me to definitely
back-light it and place a "diffuser", something like a white sheet between
the window and the lights. Velvia or Ultra 50 (prints) is the film to use for
saturated, almost "bigger than life" colors.
George S.
gchapman@xxxxxxxxxxx writes:
> I'm interested in getting opinions on the best way to photograph stained
> glass windows. Should I light them from the back (through the window) or
> from the front? I have access to a pair of portrait lights and two
> Photofloods. Anyone have any suggestions?
>
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