Pillsbury and General Mills both offer special filters for that annoying
flour - bleached white, unbleached white, whole wheat, graham and rye;
others available upon request.
(BBB apparently has agriculture permanently on his mind. ;))
Combined with Fuji Superia Reala, or Superia 100, 200 or 400 (all of which
now have the fourth emulsion layer than makes Reala a good choice for tricky
lighting, whether flourescent or fluorescent).
An additional trick is to combine filters on lens and flash, if you choose
to use supplemental lighting. Chances are, tho', if the windows are as
large as you've described, the Fuji film alone should do the trick.
The prints can be biased toward neutral where artificial light predominates,
which will result in a slightly warmish light where the window light
predominates. Shoot between late morning to early afternoon for most
neutral daylight - that should make it easier for the lab to strike a
compromise balance.
Lex "Doughboy" Jenkins
======================
From: "Barry B. Bean" <bbbean@xxxxxxxxxxxxxx>
Subject: [OM] flourescent/daylight mix
Date: Mon, 24 Jul 2000 10:16:22 -0500 (CDT)
My wife and I have been asked to do a brochure for a shop nearby, and
I'll be handling photographic duties. One issue I'll encounter is
that light in the shop is all flourescent, but the store has VERY
large windows. The flourescent/daylight is constantly variable.
So - any suggestions for filters or techniques to avoid picking up a
green flourescent cast?
BBB
-
B.B. Bean bbbean@xxxxxxxxxxxxxx
Bean & Bean Cotton Co/Bean Farms http://www.beancotton.com
Peach Orchard, MO
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