>
> Assembling a kit is a really personal thing, and some people seem to
>work happily under tremendous loads, while others would rather travel
>light. My kit often reads like something out of Gary's "Don't go
>there kit" in Alex-sized arrays :-). I guess a few of us have perverse
>tastes for black-sheep OM glassware, but we're in good company.
> *= Doris Fang =*
To me, it depends on the job, or the intention of the shoot. We shot a
skating rink event last Sat. and I mostly used a 50 for portraits and a
200 for skaters on the ice. I brought a 28/50/135/200 kit. A freelancer
for the wash. post had his monster nikon 80-200/2.8 zoom on his F5 and
shoe mount flash. My wife used both her 28-70 and 70-210 zooms. No
single kit is going to be correct for every job. For the MLK Jr. shoot
the weekend before, I had a 24/50/100 kit. I got a cover shot in the
local paper from that shoot, BTW. My first!
Be seeing you.
Dirk Wright
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