But then there is a whole school of fine art photography that plays with the
theme of posed / unposed and our perception of photos as "real". I was just at
the MOMA where there was an exhibit with this theme. It had a series of prints
from the obviously posed to the apparently unposed and every ambiguous
possibility in between...
<<The same goes for photojournalism. If you claim something is a candid,
then it should not be posed. If you claim that an image is a piece of
news or a capturing of an event, then it should not be manipulated to
something which is not an accurate representation of the person or event.>>
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