My experience with Kodachrome 200 is that it has always been GRAINY. I
never use it anymore. Have had better luck with Fuji Sensia 200, if I
need that speed. Haven't tried the newer Elitechrome Select 200 yet, it
may be adequate.
Mary A.
Charles Loeven wrote:
> Snip from Ron Crabtree, (that's from not at)
>
> >If you are shooting Velvia (probably at ISO 40)
>
> Could you all enlighten me as to why I see this so much.
> Rating film lower would add exposure.
> Now, I never used Velveeta, er, Velvia but
> with KR64 I usually get better color saturation
> with 1 stop under exposure.
> Isn't that the purpose of Velvia? Saturation.
> And why 1/3 stop as a general rule?
>
> KR64 is usually good at 64 for shadow detail though.
> BTW, I just got some test Kodacrome200 back and it is GRAINYYY.
> Can a lab process trannies poorly and add grain?
> Maybe too hot of a temperature at a shorter dev. time?
>
> Charlie L.
>
> < This message was delivered via the Olympus Mailing List >
> < For questions, mailto:owner-olympus@xxxxxxxxxxxxxxx >
> < Web Page: http://Zuiko.sls.bc.ca/swright/olympuslist.html >
< This message was delivered via the Olympus Mailing List >
< For questions, mailto:owner-olympus@xxxxxxxxxxxxxxx >
< Web Page: http://Zuiko.sls.bc.ca/swright/olympuslist.html >
|