Hi Jan,
I'd recommend the following for what it's worth--I'm not a pro:
1) Use a diffuse light source--soft box or window to capture a the
subtleties of
fabric and wood grain.
2) The 50 would be my choice--the 28 would be out altogether, due to the
distinct
possibility of observable wide angle distortion.
3) Obviously you're going to use a tripod, but I'd shoot one roll each of
ASTIA 100,
VELVIA, KODACHROME 25, and possibly PROVIA 100 is I couldn't achieve
at least F8 with the slower films. Each of these is going to offer a
different flavor,
while adding inconsequential material cost.
4) Aperture f11 to f22.
5) Also, I'd borrow or rent a flash meter, and still bracket +/- half a
stop.
The pros of course, can offer deeper insights still.
Alex
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